Law Returnable or negotiable in kind or by substitution, as a quantity of grain for an equal amount of the same kind of grain.
Something that is exchangeable or substitutable. Often used in the plural.
If you want to properly understand attributions, you need to understand this concept thoroughly.
Continue reading Fungible (fŭnˈjə-bəl)
An utsushi is a copy of someone else’s work. This kind of copy was not meant to deceive. In most cases the source work is a masterpiece that has achieved some recognition. In creating the utsushi a craftsman is both challenging himself to make a work in the style of the past master, learning about the techniques required to make a work in this style, and as well pay homage to artwork he holds in high esteem.
Some of these copies make alterations or simply draw inspiration from the work that came before them. This kind of work would be done in the style of the predecessor so that it could fit in amongst their repertoire. Others were made exactingly as a note for note rendition of the previous work. In some of these cases the craftsman has the item on hand he is trying to copy. In others, he is working from drawings, or notes of the work. These notes or drawings may be incomplete or may be themselves just approximations of the piece in question.
Some of these utsushi can be quite interesting as the work that they are copying is now lost. In some cases, we can assume that the work was indeed copied but the utsushi copies are now lost.
Continue reading Utsushi
The word “kurui” is not easy to interpret, even for Japanese. Sometimes it is falsely translated into English as “madness” or “craziness.” The actual meaning is more like “a frantically, rich and proud blossoming of flowers” and the word expresses a splendour which far excelled that of ordinary work. To us the style of Masamune means both superior strength and a severe beauty.
— Nobuo Ogasawara, sword curator, Tokyo National Museum
I think those words are amongst the best I have encountered amongst descriptions of the work of Masamune.
Most people will not have seen his work other than in photos, and fewer still will get a chance to have one in their hands.
In my own attempts, from what I’ve been lucky to hold, I have said that the best Masamune work is like a raging storm at sea. Shintogo appears to me like clear, cold ice. Sadamune as sunrise on a summer morning with dew on the grass.
If I wrote more, it would mean less.